By Leeds Music Corporation
Piano tune ebook
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Extra info for 40 More Hits of Our Times, Book 2
I stayed with Pres for about two years. He was a really creative musician. He’d never do the same thing twice. Playing with Monk was the same, or with Bird. You never know what they’d do next. Monk was like going to school. ” At this point Roy put on an airshot taken from whatever radio station was broadcasting the live goings on at Birdland in 1951. ” The group was Charlie Parker, Dizzy Gillespie, Tommy Potter and Roy Haynes. “It was Max’s gig, but he couldn’t make it. He called me up at the last minute and I got there.
The quick dips, half-whirls, and deep pivoting jerks that Monk gets into behind that piano are part of the music, too. Many musicians have mentioned how they could get further into the music by watching Monk dance, following the jerks and starts, having dug that that was the emphasis Monk wanted on the tune. He would also skip out into the alcove behind the bandstand, and continue the dance, and from the bar it was pretty wiggy digging Monk stepping and spinning, moving back and forth LeRoi Jones� 41 just beyond the small entrance to the stand.
People that get in magazines all the time . . but most don’t make much. Working with Sarah was what straightened me out financially. Helped me to get the house and things. But even when you’re working, I mean freelance, and fairly regularly, you don’t work that much. And then records are not that much. You know I just made my first date as a leader a couple of years ago. That trio album on Prestige. We Three. It did pretty well, too; so we followed it up with Just Us. But I recorded with Blue Note in nineteen hundred forty-nine and you know it was nineteen hundred fifty-nine, yeh, ten years later, before I recorded with them again.
40 More Hits of Our Times, Book 2 by Leeds Music Corporation