By Rosalind Pollack Petchesky
A holistic knowing of abortion from a feminist standpoint, together with the background of its perform and country regulations to comprise it; the social, monetary, and cultural stipulations lower than which girls put it to use; and the felony, ethical, and political battles that encompass it.
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Extra resources for Abortion and Woman’s Choice: The State, Sexuality, and Reproductive Freedom
There is a New Woman, and what do you think? She lives upon nothing but Foolscap and ink! 5 Jordan cannot, however, explain the plethora of highly charged rhetoric that predates Ouida's naming of the New Woman. Significantly, Page 12 such rhetoric was aimed not at characters in novels but at real women, women whose violations of the social code were viewed as a serious threat to bourgeois culture's hegemony. In other words, if naming the New Woman gave the debate about "new aspects of the Woman Question" a sharper focus, it also narrowed that debate.
Such contentious rhetoric obscures the differences between New Women and other antiestablishment movements or interest groups. And yet, that phenomenon is itself of interest. 24 Consider, for example, the language of the New Woman's most Page 20 vehement critic, Mrs. Elizabeth Lynn Linton. Perhaps best remembered to history for the essays collected in The Girl of the Period (originally published by Saturday Review in the 1880s), Linton earned a great deal of notoriety in the 1890s for publishing a trilogy of articles on the "Wild Women" in Nineteenth Century in 1891 and 1892.
This book differs most importantly from previous research on the New Woman and the fiction written about her at the turn of the century in terms of the claims made about the place of this fiction in modern literary and cultural history. With the notable exceptions of Tess of the D'Urbervilles, Jude the Obscure, and The Odd Women, most critics have excluded New Woman novels from genealogies of modern- Page 3 ism. 3 The first approach treats the novels as evidence of the final failure of nineteenth-century English realism.
Abortion and Woman’s Choice: The State, Sexuality, and Reproductive Freedom by Rosalind Pollack Petchesky