Download PDF by C. S. Fuqua: Alabama Musicians: Musical Heritage from the Heart of Dixie

By C. S. Fuqua

Within the overdue Sixties and early Nineteen Seventies, mythical artists like Aretha Franklin, the Rolling Stones, Willie Nelson and Bob Dylan traveled to North Alabama to list with the Muscle Shoals Rhythm part, often referred to as the Swampers. yet Alabama hasn't simply attracted musical stars with its talent--it additionally has a heritage of constructing stars of its personal. subscribe to writer and musician C.S. Fuqua as he showcases the breadth of Alabama's musical expertise during the profiles and tales of its ancient performers and innovators. From the "father of the blues," W.C. convenient, to Hank Williams, the originator of contemporary nation tune, to folks song hero Odetta and everybody in among, this is often an exceptional compendium of Alabama's groundbreaking song makers.

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Extra resources for Alabama Musicians: Musical Heritage from the Heart of Dixie

Example text

Within three lines the birds will be faded out, though they might return just before the transition back to the city. Similarly, there is the convention of allowing one or two low sounds to stand for what would ordinarily be the stream of accompanying sound ... The audience is not upset by listening in on a world in which many sounds are not sounded and a few are made to stand out momentarily, yet if these conditions suddenly appeared in the offstage world, consternation would abound. Or take the contrast between the English-speaking voices and the voices speaking an Aboriginal language.

Each phrase has a key pulse, the main pulse. This main pulse is the culmination of the 'message' of the phrase. 1. Measured time divides the stream of sound into Degrees of regularity: speech Like all human action, speech has rhythm, a regular pulse. In conversation speakers even attune to each other's rhythm, so that the same pulse 43 Time underlies the speech (and gestures) of both (c£ Hall, 1983: 140-1). In other respects, however, conversational speech is less regular than for instance most forms ofWestern music: 1.

The number of measures per phrase is regularized, to four measures per phrase, or some multiple of it. The amount of notes per measure may be regular, for instance in syllabic songs such as 'My Favourite Things', which has a 'dactylic' metre, with three notes (and three syllables) in every measure: 48 Speech, Music, Sound drops I Rain 1 2 on 3 I Ro ses 2 1 and Iwhis kers 3 1 on I kit 2 3 1 tens 2 But this need not always be the case. In 'Meditation', an Antonio Carlos Jobim bossa nova song, the amount of notes (and, as it happens, also the amount of syllables) in the first measure is 1, the second measure 2, the third measure 3, the fourth measure 2, and the fifth measure 7.

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Alabama Musicians: Musical Heritage from the Heart of Dixie by C. S. Fuqua


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